J a c q u i O 'R e i l l y
RESEARCH THEORY PRACTICE
What would the musical expression of post human shimmering sound like? How would it be composed and arranged to maintain its spaces, knots, threads and dynamic organising processes? Could it promote awareness of ecologies and our place in them, otherwise forgotten in a complex anthropocentric world?
My research: making and performing music to bring the listener into the listening of flowing intra-action.The presentation of the music, the themes, the social ecology supporting it, interaction, immersion and the sensitivity of its symbiogenesis beyond musical rules and forms are as important as the music itself.
Some theory:
The concept of shimmer introduced by Deborah Rose deeply resonates with love for the Australian
environment and aligns with a post human positioning where our interrelationship with the ‘more
than human’ is embraced. It draws our attention to the stunning, vibrating pulse of life, and the
magnificence of the biosphere. It connects us with everything else past and present and yet also
highlights the destruction and devastation occurring as a result of our actions within this
Anthropocene epoch. Rose talks of the shimmer that comes through ancestral power, the shimmer
of the Earth, and how our thinking moves back and forth from the spiritual to its expression in the
physical, the material ‘is-ness’, of life on earth.
Donna Haraway moves us from the spiritual to the physicality of Earth when she invokes the
concept of symbiogenesis in which living things — ‘dynamic organizing processes’ — are ‘looped,
braided, outreaching, involuted, and sympoietic'. We understand this to mean there are no firm
boundaries between humans, or between humans and ‘more than human’ creatures; rather there
is a constant and provocative shimmer of intra-action among our biological constitutions. After all,
humans (and ‘more than human’) shimmer with more microbes in their bodies than their own
species’ cells. We are out far from our kindred spirits; the energies that flow form our being with
others. And yet the human story is often one of separation, exceptionalism, exemption, as if
humans exist like an island somehow outside of the existence of others and the complex
ecosystems of the planet.
Shimmering experiences of social ecology delve into spaces overlapping, the borderlands, the
inbetween of disciplines and paradigms, simultaneously knotting and unravelling the threads from
so many divergent world views. Ecology, biology, systems thinking, cognitive science,
environmental sciences, applied philosophy, depth psychology, new economies, sociology, holistic
sciences, health studies, critical learning theories, Indigenous ways of knowing, eco-feminism,
cultural studies, political science, ancient wisdom traditions, social and environmental activism,
embodied and creative arts practices — in the knot of a social ecological approach to making
meaning of existence on this planet, these threads are all there. The tangle of disciplines and world
views have resulted in a flowing, shifting, always changing web of onto-epistemological possibilities
for grappling with, living in and consciously being with the complexity of the contemporary world.
By conceptualising shimmer with a posthuman lens, we hope to promote awareness and an
understanding of the magnificence of our biosphere but also highlight the destruction and dev-
astation of the consequences of human greed.
Exerts from the paper: Shimmering with Deborah Rose: Posthuman theory-making with feminist ecophilosophers and social ecologists, Cambridge University Press: 28 August 2020
Karen Malone, Marianne Logan, Lisa Siegel, Julie Regalado, Bronwen Wade-Leeuwen
COSMOS
COSMOS is a drifting memory station designed to work with meditative states through music. The design of the controls, functions and generated soundscapes are intended to evoke, in both performer and listener, states and experiences inherent in meditation, such as limitless space, fluidity, spontaneous development, presence, the ability to hear, tranquility, the experience of subtle harmony and happiness enveloping the whole world.
From a functional point of view, COSMOS is a large array of sound memory, in which recorded sounds undergo constant recombinations, spontaneously generating an ever-changing soundscape. This is achieved in three ways — by a mathematical shift based on the relationships between large prime numbers (the size of all delay lines are different primes), an asynchronous operation of the LFO, and modulation with a slowly changing chaotic signal. As a result, it allows the endless layering and processing of various sounds, as in a looper, but without an intrusive, repetitive loop.
COSMOS generates rich, fluid and evolving soundscapes perfect for ambient music. Using COSMOS, you can play an entire meditative solo concert while being in a spontaneous flow and without using studio-prepared sequences, backing tracks and other things that can’t be a reflection of the “here and now”.
The Sound Rocks Hold
21 Sept 2024
https://cementa.com.au/artist/jacqui-oreilly
1. Performance I am working on - sensory perception as a radial exchange, engaging energetically with this concept to experience shimmer
2. Recording as a track to release - arrangement
3. Somewhere in a Valley - echolalia of melody as knots, braided, inter-looped with past, present, future
3. Tech - mic audience to send through cosmos, rocks tapping with text score for 'happening' - simple instructions and do some tests